Originally made as a silent film, Odna was released in 1931 as a 'sound' film – which differs from a talkie because although there are sound effects in the film, there is no synchronised dialogue and it was intended to be performed with an orchestral accompaniment using a score by Shostakovich. After it fell into political disfavour the film was archived in the Lenfilm complex, which was destroyed during the siege of Leningrad. Fortunately, although much of the score was lost, all but one 8-minute reel survived, as did the full score for the missing reel. Mark Fitz-Gerald and colleagues, with the encouragement of Shostakovich's widow, completed the restoration of the original score in 2003. It was first performed in the Netherlands and has also been performed in France, Switzerland and Germany. I attended the London Premiere on 10th February 2006. 　　Normally, a review relates to an experience that can be shared subsequently by any cinema-goer, or watcher of DVDs. A live concert performance (the BBC Symphony Orchesttra conducted by Mark Fitz-Gerald) is different. The entire orchestral performance and live sound effects such as the throat singer, Theramin and Harmonium will not be constant factors - which is why performances of great musical works are reviewed repeatedly. The performance I experienced may be different from what you experience. For me, what might have been a rather sentimental ending was transformed by the 'buzz' of the live musical climax (the entire restored score was performed, with titles explaining the action of the missing reel). 　　A notable feature of the film was the superb natural performance of the 'actors' (including a real shaman performing a real ritual) with none of the exaggerated eye makeup of 'Napoleon' and the German expressionists. Such a live performance converted a good propaganda film into something more sublime and an experience that should not be missed if the opportunity is repeated.

香港警察顧玲玲為調查好友楊美華的死因，遠赴日本與作家李三郎會面，詢問美華有無遺留下重要物品，但卻未有所悉。不久，日本外事邢警木下與倆人接洽合作，情求協助調查一起私毒品案件，並從刑警口中得知楊美華妹妹楊美鳳的下落。 　　為此，倆人結伴去楊美華生前工作的夜總會，進行實地查訪，更希望能見到楊美鳳……

香港警察顧玲玲為調查好友楊美華的死因，遠赴日本與作家李三郎會面，詢問美華有無遺留下重要物品，但卻未有所悉。不久，日本外事邢警木下與倆人接洽合作，情求協助調查一起私毒品案件，並從刑警口中得知楊美華妹妹楊美鳳的下落。 　　為此，倆人結伴去楊美華生前工作的夜總會，進行實地查訪，更希望能見到楊美鳳……

戒嚴前夕的台灣，曾出現一系列「女性復仇」電影，形塑受害女性角色，再由極殘忍的復仇結局收尾。延續著近年對身體政治課題的關注，蘇匯宇再次以肉身探討權力，以女性電影為想像基礎，重新創造了一個平行宇宙的女性復仇。

A socially committed film about the feudal state of many Japanese women in 1946. Hiroko Hosokawa, a female lawyer, defends Mrs. Asakura, who suffocated her child in her grief after her husband died penniless following an industrial accident. The prosecutor is Hiroko's sister's husband Kono, who also sent Hiroko's fiance, Yamaoka, to jail for his liberal views during the war. Yamaoka has just been freed, but is seriously ill from his time in prison.

女总裁陈悦丈夫早逝，独自支撑家庭。出差回家，她发现女儿圆圆遭婆婆张秀芬、弟弟王二牛及弟媳牛翠花虐待，竟用狗盆吃剩饭。陈悦反击后带女儿离开，意外听闻三人因嫉妒和贪财，正算计自己财产。后续，陈家人以买房、借高利贷要挟陈悦，均被她识破拒绝。牛翠花恼羞成怒动了胎气，陈悦趁机拿出牛翠花有外遇证据。最终，牛翠花身败名裂，陈悦与张家彻底决裂，带着圆圆开启新生活。

女总裁陈悦丈夫早逝，独自支撑家庭。出差回家，她发现女儿圆圆遭婆婆张秀芬、弟弟王二牛及弟媳牛翠花虐待，竟用狗盆吃剩饭。陈悦反击后带女儿离开，意外听闻三人因嫉妒和贪财，正算计自己财产。后续，陈家人以买房、借高利贷要挟陈悦，均被她识破拒绝。牛翠花恼羞成怒动了胎气，陈悦趁机拿出牛翠花有外遇证据。最终，牛翠花身败名裂，陈悦与张家彻底决裂，带着圆圆开启新生活。

下乡老知青周树达在返城大潮中，遗弃当地妻儿回到原籍，过上了高级知识分子生活。而在三十年后，周树达再次踏上了这片许久未见的土地试图弥补他曾经犯的过错。被他遗弃的儿子陈乐结束了八年的牢狱生活出狱后，遭遇妻子改嫁，并留给自己一个八岁患有自闭症的儿子。在好友帮助下，他找到一份修理厂的工作，并在出租屋里邂逅了性工作者雅茹。然而在儿子多次被学校拒绝上学后，陈乐做了一件再次摧毁命运的事情……

下乡老知青周树达在返城大潮中，遗弃当地妻儿回到原籍，过上了高级知识分子生活。而在三十年后，周树达再次踏上了这片许久未见的土地试图弥补他曾经犯的过错。被他遗弃的儿子陈乐结束了八年的牢狱生活出狱后，遭遇妻子改嫁，并留给自己一个八岁患有自闭症的儿子。在好友帮助下，他找到一份修理厂的工作，并在出租屋里邂逅了性工作者雅茹。然而在儿子多次被学校拒绝上学后，陈乐做了一件再次摧毁命运的事情……